Yotsuya Kaidan

Submarine

1928

Two sailors who are always competing against each other set their sights on the same girl. When she chooses one over the other, their friendship ends acrimoniously. However, things change when one the men is in a submarine trapped beneath the ocean and the other, a diver, is sent down on a rescue mission.

Take a Chance

1918

It's a classic boy-meets-girl story, boy-loses-girl, boy gets mistaken for an escaped convict and ruthlessly chased by armies of cops across the countryside in a thrill-packed stunt-addled climax.

Timothy's Quest

1922

Timothy and Gay, orphans from the slums of Boston, escape to Maine in search of a home and manage to thaw Avilda's embittered, grief-stricken heart. A charming pastoral about two unwanted children finding acceptance and love.

Death of a Stag

1951

Russian emigré Dimitri Kirsanoff’s film, alternatively titled Death of A Stag and Une chasse à courre, is a post-war study of a traditional stag hunt. The pursuit of the animal finds a cross-cutting parallel in the felling of a tree in the forest.

Stalker

2025

A silent film following a man on the verge of the nervous breakdown as he is pursued by an ominous stalker.

The Hunchback of Notre Dame

1923

In 15th century France, a gypsy girl is framed for murder by the infatuated Chief Justice, and only the deformed bellringer of Notre Dame Cathedral can save her.

Who Pays?

1915

Who Pays? was a series of twelve three-reel dramas, released between March and July 1915. Henry King and Ruth Roland starred in each episode, playing different roles each time, with a variety of supporting players who varied from one episode to another. Each episode told a complete and individual story, but they were all inter-related by a uniform theme. Although there were no cliff-hanger endings, each episode did, in fact, end with a challenge to the audience: Who was responsible for the misfortune of the principal characters? The titles of the twelve episodes were: #1: The Price of Fame; #2: The Pursuit of Pleasure; #3: When Justice Sleeps; #4: The Love Liar; #5: Unto Herself Alone; #6: Houses of Glass; #7: Blue Blood and Yellow; #8: Today and Tomorrow; #9: For the Commonwealth; #10: Pomp of Earth; #11: The Fruit of Folly; #12: Toil and Tyranny.

The Iron Woman

1916

Steel mill owner Sarah Maitland has raised her two children, Blair and Nannie, to be honest and caring, however Blair disappoints her when he seduces the wife of his best friend and breaks up her marriage. No one is happy but it takes a near fatal accident to set things right.

Die Villa im Tiergarten

1927

Silent film social drama

Botan dôrô

1926

The Little Tease

1913

The supposition was that she was born a tease, for from her first teeth to the time she was almost grown, she vented her witcheries on her unsuspecting parents and the wild things of her mountain home. But that was before the man from the valley lost his way and later found it back again, bearing away the little tease to the valley. While she suffered the qualms of broken faith, her father passed through a like struggle, for he felt the precepts of the "beloved book" had failed him. He closed the door of his cabin upon the world and the light from his window, lighting the wayfarer over the mountain path, disappeared. The struggle over, it came hack in its place in time to beckon the little tease as she left the valley behind.

The Blackguard

1925

A French violinist saves his beloved princess from the Russian revolution..

The Passion of Joan of Arc

1928

A classic of the silent age, this film tells the story of the doomed but ultimately canonized 15th-century teenage warrior. On trial for claiming she'd spoken to God, Jeanne d'Arc is subjected to inhumane treatment and scare tactics at the hands of church court officials. Initially bullied into changing her story, Jeanne eventually opts for what she sees as the truth. Her punishment, a famously brutal execution, earns her perpetual martyrdom.

Metropolis

1927

In a futuristic city sharply divided between the rich and the poor, the son of the city's mastermind meets a prophet who predicts the coming of a savior to mediate their differences.

A Corpse Living

1918

"The Living Corpse" - Fedor Protasov is tormented by the thought that his wife Liza never really made a clear choice between him and Victor Karenin, a more conventional rival for her hand. He wants to kill himself, but doesn't have the nerve. Running away from his life, he falls in with Gypsies, and into a sexual relationship with a Gypsy singer Mascha. Meanwhile, his wife Liza, presuming him dead, marries the other man, Victor.