Love Letter to Edie

The Tiger Leaps and Kills, But It Will Die... It Will Die...

1973

An obituary for Victor Jara, the Chilean folksinger who was murdered in a football stadium by the military junta during the days of the September 1973 coup.

Florence

1975

Florence is a contemplative study of light and shadows, textures and planes, that makes beautiful use of the tonal qualities of black and white film. (mubi.com)

Land Without Bread

1933

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

Min hemliga bror

2019

It was a family secret, hidden for decades - until now. With the help of commercial DNA bases, SVT's US correspondent Carina Bergfeldt sets out in search of her secret half-brother, who according to a rumour exists. The hunt came to affect her whole life.

Angkor - The Lost City

1961

A look at the ruins of the ancient city of Angkor. The largest collection of sculptures the world has ever seen - an entire metropolis of palaces and temples recovered from the jungle.

Juggernaut

1968

In 1968, a convoy set off to transport a Calandria, the 70-ton core of a Canadian nuclear reactor, to Rajasthan in India. Even the largest semi-trailers could not keep up with this transport, which drove over specially reinforced roads and through city walls that had been demolished to make room.

Workers Leaving the Lumière Factory

1895

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Adrian Street: Imagine What I Could Do to You

2019

British legend Adrian Street reflects on his life and career in and out of the ring.

Bikers

2022

A motorcyclist talks about his history of integration in a motorcycle club and the lifestyle involved in belonging to that group.

Until Memory Fades

2023

Entering in the darkness of his memories, with the aid of some old photographs, one man travels to his past, building along his way a story which spans multiple generations to recover the image of his father, whose early passing marked him as a child.

Me voy. Me voy

2021

December 31, 2015. The Valencian bookstore Valdeska closed its doors permanently after forty years of activity. The result of four years of monitoring and filming, these 31 minuts of run time are part of a book unread, unknown and undiscovered. "Me voy. Me voy" it's not the story of a bookstore, not the portrait of an exceptional bookseller, it's a will to attach the things in the filmed image, to make something lasting showing the moment of its disappearence.

Mediocre

2022

Color-Blind

2019

A synaesthetic portrait made between French Polynesia and Brittany, Color-blind follows the restless ghost of Gauguin in excavating the colonial legacy of a post-postcolonial present.

In Memoriam

2019

A hotel room and a few sweets, their wrappers stacked like gold leaf... An interview with Chantal Akerman and ongoing coverage of the 2015 terrorist attacks in Paris, and what emerges is a genuine tragedy, as simple as Racine's.

Sweet Gatherings

2005

Documentary that shows the preparation of the panela with which, in Quetzaltepec Mixe, Oaxaca, we sweeten our foods. It is a part of our lives, as indigenous peoples, in which we share work, joy and pain. It is also the fight to continue being self-sustaining through the production of our own food, and thus worry less about money.