Todos tienen algo Desierto

Puerto escondido

2020

In 1879, Bolivia lost its access to the sea in a war. When I was a child I did not understand how we had lost it; he thought the Chileans had taken him away in buckets. It is a diary towards interior landscapes, myths, characters and contradictions in a country that relives this loss every day.

Koyaanisqatsi

1983

Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.

Baraka

1992

A paralysingly beautiful documentary with a global vision—an odyssey through landscape and time—that attempts to capture the essence of life.

Sans Soleil

1983

A woman narrates the thoughts of a world traveler, meditations on time and memory expressed in words and images from places as far-flung as Japan, Guinea-Bissau, Iceland, and San Francisco.

Daedalus

2024

"Fly too high and you will burn, go too low and you won't breathe." Shot in just seven consecutive days during the summer of 2023, it concludes the first volume of Bliss, a playlist of sounds and shapes. Daedalus delves into the perilous dance between striving for something and the suffocating pull of stagnancy. This chaotic structure bridges the warnings and epiphanic thoughts of 20th-century thinkers with the lives of today's dreamers.

Where Do You Stand Now, João Pedro Rodrigues?

2016

João Pedro Rodrigues answers the question from the title with an autobiographical short-film.

A Day in Death Valley

1944

A tour of the arid, inhospitable region of the southern California desert known as Death Valley, originally named because of the many travelers in the 1840s who died of thirst, starvation and/or exposure trying to cross it.

Berlin: Symphony of a Great City

1927

A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.

Olympia: Part One – Festival of the Nations

1938

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

Olympia: Part Two – Festival of Beauty

1938

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

Cien Años del Padre Negro en Atacama

2022

Running Fields IV

2024

Twenty-four images of a camera running in the woods, a moonlight and a cemetery through improvised gestures, mechanical abstraction and saturated colors

Reflejos

2021

Two generations dialogue through the images they filmed of their children, a reflection of the emotional bond that arises from their involvement with what was shot.

My Grandmother's Mother Told My Grandmother

2004

Gathered by a theater company, a small town in Chile called Villa Alegre, looks deep into its origins and myths to tell their own history through a play.

The Afterlife

Invalid Date

A young adult's first-hand account of "accidentally becoming human again" after, and with, trauma induced depression. Lo-fi, vulnerable, and uniquely youthful, "The Afterlife" is a melancholic affirmation of life after death.