Mrtvolu sprovoďte ze světa

Co mogą martwi jeńcy

2010

A documentary about the modern controversy between Poland and Russia over Russian prisoners of war from the time when Poland regained its independence, after the First World War.

Gulag

2006

This excellent and breathtaking documentary is the result of a long study on the Gulag to try to understand why more than 60 million Soviet citizens were sent to the camps from 1918 to 1956, how such a massive confinement could take place during two generations. From the Solovki in the north-west to the Kolima in Siberia, from Lenine to Kroutchev, a polar geography is erected into the Gulag system. One does not escape from camps. After ten years of imprisonment, one dies. Some survived, some left traces; they witness: organisation, work and discipline, but also resistance, repression and revolt.

One Child

2013

Three family cope with having lost their only child in 2008 deadly Chinese earthquake.

Communism: History of an Illusion

Invalid Date

Gdzie rosną poziomki?

2006

The forest in Bykovnia near Kyiv hides the remains of more than 30,000 NKVD victims, including several thousand Poles. In 2006, a team of Polish archeologists, with the cooperation of the Ukrainian side, conducted exhumation work there, which confirmed that Poles were buried in the cemetery. At the time, two people whose fathers are believed to be buried there also came to the Bykovsky forest. The film tells the story of the history of the place, the local residents' perception of it, and the search for the fathers' graves.

Nesmíš plakat

1990

The Front Line

2009

United by an uncompromising struggle as members of the infamous 1970s far-left terrorist group Prima Linea, fugitive couple Sergio and Susanna have become increasingly alienated from the real world. Their luck runs out when Susanna is captured and thrown in jail. Putting his life on the line, Sergio embarks on a radical plan... Loosely based on the memoir by Prima Linea's 'commander' Sergio Segio.

Xiu Xiu: The Sent-Down Girl

1998

Young teen girl Xiu Xiu is sent away to a remote corner of the Sichuan steppes for manual labor in 1975 (sending young people to there was a part of Cultural Revolution in China). A year later, she agrees to go to even more remote spot with a Tibetan saddle tramp Lao Jin to learn horse herding.

Be Sure to Behave

1968

A woman prisoner is harshly incarcerated and suddenly released.

Nanook of the North

1922

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

Olympia: Part One – Festival of the Nations

1938

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

Olympia: Part Two – Festival of Beauty

1938

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

Workers Leaving the Lumière Factory

1895

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Battlefield Behemoths: A History of the Tank – The World Wars.

2018

Filmed just over a century after the first tank battle in 1918, this documentary series explores how the vehicles forever changed warfare.

D-Day: The Untold Stories

2019

To commemorate the 75th anniversary of D-Day, this special presents the key events of the Allied invasion of Nazi-held Europe and the subsequent battles that captured the control of the Normandy coast. Some of the last surviving veterans recall in detail the terror, patriotism and drama from the frontlines of war. This special also honors the diverse backgrounds of all who served.