Un Chibani

Les Trois Cousins

1970

The Three Cousins ​​is a comedy-drama by René Vautier released in 1970 about the living conditions of three Algerian immigrant cousins ​​looking for work in Paris. Housed in a narrow construction shed, the coal stove will cause them to suffocate. The Three Cousins ​​won the Best Human Rights Film Award in Strasbourg in 1970.

Le Bougnoul

1975

A construction worker on a construction site in the Paris suburbs, Mehdi takes the bus to return home after work. Wishing to get off while the vehicle is stationary in a traffic jam, the driver refuses: while restarting, the bus hits the car in front of it. The bus driver attacks Mehdi whom he holds responsible for the incident, claiming that it is forbidden to “talk to the stagehand”. Mehdi is implicated in court and his lawyer tries to draw attention to the living conditions of immigrant workers.

A Finger in the Works

1974

The film mixes fiction, filmed documents and interviews which recounts the arrival in Paris of an Algerian immigrant lost in the metro. On December 27, 1968, France and Algeria signed an agreement which admitted each year 35,000 Algerian workers to French territory in the France of the Trente Glorieuses where the annual growth rate reached 5% and where factories lacked workers. Candidates obtain a residence permit valid for 5 years for themselves and their families. Paris is committed to improving professional training and housing conditions for immigrants, too often confined to the most thankless jobs and often housed in slums. A testimony on the living conditions of emigrant workers "economic cannon fodder" of neocolonialism which simultaneously develops its alter ego, institutionalized racism, as a tool of social stagnation and division of the proletarian class.

Les Ajoncs

1970

An unemployed Algerian worker leaves Paris by hitchhiking. He soon found himself in Brittany and, seduced by the beauty of wild gorse, eventually established himself as a gorse merchant. But for problems with parking his little cart, he had a rough explanation with a law enforcement officer. The happy intervention of factory workers, the eager kindness they showed him, saved him from despair. This film is part of a trilogy "Them And Us" with the films "Les 3 Cousins" and "Techniquement Si Simple".

The Revolution Of El Harrachi

2014

The artistic journey of Dahmane El Harrachi, born in 1925 in Algiers, bears the mark of his experience. An attentive and vigilant observer of the environment of immigrant workers, Dahmane has always avoided falling into the ambient miserabilism. From the Algerian Chaâbi, he has kept certain melodic lines and a clear propensity for sayings drawn from the oral poetic tradition. El Harrachi uses simple language, understandable by all popular sectors of the Maghreb, which partly explains its wide success. In 1949, he went to France and it was in cafes, springboard places where people come to breathe the air of the country, that he performed regularly. Elegant, with his beautiful atmosphere, the “bluesman” of the suburbs seduces, upsets and stirs consciences. Discovered late by the new generation, the creator of Ya Rayah met a tragic end, on August 31, 1980, in a car accident, on the Algiers coast which he sublimated above all else.

Cheikh El Hasnaoui, from the White House to the Blue Ocean

2014

Cheikh El-Hasnaoui is an Algerian singer who left his country in 1937 without ever setting foot there again. Between 1939 and 1968 he composed most of his repertoire in France. For many years the Algerian cafes of Paris were the stages of his shows. With a handful of artists of his generation, he laid the foundations of modern Algerian song. A fervent defender of women's rights, he claims, as a pioneer, the fight for identity for a plural Algeria. At the end of the Sixties, he ended his artistic career. On July 6, 2002 he died in Saint-Pierre de la Réunion, where he is buried to this day. This 80-minute documentary follows in the footsteps of this extraordinary character. From Kabylia to Saint-Pierre de a Réunion via the Casbah of Algiers and the belly of Paris.

Ma famille entre deux terres

2015

Ali in Wonderland

1975

Ali in Wonderland unveils the condition of immigrant workers in Paris in the 1970s. It is a cry of anger against exploitation and racism, uncompromisingly raising the role of the French state, the media, capitalism, and colonization in this system of domination that crushes those who suffer it. In this experimental essay on the condition of Algerian migrants in Giscard's France in the mid-1970s, every aesthetic choice has a precise and legible political motivation and gives body and voice to a figure completely absent from the experimental cinema of the time: that of the immigrant worker. Abouda is one of the children of immigrants seen in the film, and not a simple activist serving a cause, which is why the emotion of her experimental gesture, which she throws in the viewer's face, springs from a ferocity inscribed in her body, from an insatiable anger that inhabits her gaze.

Driving Miss Daisy

1989

The story of an old Jewish widow named Daisy Werthan and her relationship with her black chauffeur, Hoke. From an initial mere work relationship grew in 25 years a strong friendship between the two very different characters, in a time when those types of relationships were shunned.

Shadows of the Peacock

1988

The love story between an Australian woman and a Balinese dancer.