Es Para Un Videodiario

Workers Leaving the Lumière Factory

1895

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Linee d'ombra

2007

Sunny Night

2017

On 25th December 2011 the Georgian Patriarch Ilia II described his 34 year-long leadership as head of the Georgian Orthodox Church as a ‘sunny night’. Beginning in 1989, and going up to the present, the film essay Sunny Night tells of political and social events since Georgian Independence. A variety of formats and sources, disparate images and voices report on protests, recommencements, uproars and wars, and religious identity that centres around the dominant religion of the nation. In the midst of the ongoing shifts and the various state of affairs, the patriarch stands out as the only constant figure. Meanwhile the sermonised religion begins to take on radical forms, going as far as priests forming front row human-chains, leading protests of several thousand orthodox believers chasing a handful of LGBT activist throughout the streets of Tbilisi in May 2013.

Man on the Bus

2019

Can a secret change who you are? Mysterious events unfold and reveal how Martha, a Polish holocaust survivor, managed to lead a double life in Australia. The vivacious Jewish artist and doting mother, died without ever revealing her secret. The film follows Martha’s daughter Eve, over a decade, as she unlocks the mystery behind the streets named Eve and Martha. Clues are found in old recordings and Martha’s home movies revealing a mystery man gazing into the lens. Eve’s investigation leads her to the Sobieski castle in the Ukraine, the site of a massacre where her grandmother died, and the Eichmann trial as she explores her parents’ holocaust survival and her father’s heroic escape from a concentration camp. When a ‘doppelgänger’ contacts Eve, her life is forever altered, as she uncovers lies, tracks down her mother’s young lover and reveals the family secret that led her to rewrite her entire life.