La Piazza che verrà, Bologna e il Cinema

Kidnapped

2023

The story of Edgardo Mortara, a young Jewish boy living in Bologna, Italy, who in 1858, after being secretly baptized, was forcibly taken from his family to be raised as a Christian. His parents’ struggle to free their son became part of a larger political battle that pitted the papacy against forces of democracy and Italian unification.

Working Slowly (Radio Alice)

2004

Bologna, 1976. The paths of two aimless young friends intertwine with those of Radio Alice, a pirate radio politically aligned with the leftist student movement.

E allora mambo!

1999

After receiving a large sum of money on his bank account by mistake, a small-town thirtysomething dissatisfied with his life sees the opportunity of turning back the clock to when things were good, reliving the carefree life of an university student in a big city. Here, he falls in love with a girl and gets her pregnant. There's just one problem: he already has a wife and a daughter back home!

Almost Blue

2000

A police inspector suspects a serial killer is afoot in the university city of Bologna, luring in his victims through online video chats before murdering them and assuming their identity.

Attila

2016

Fantasia, ma non troppo, per violino

1976

Impiegati

1985

Friendship and competition among a group of bank clerks in 1980s Italy.

See You

1999

15-year-old Andrea lives in a world of his own, where an innocent friendship with a pretty girl becomes a full-blown romance. He invites her to a motor show in nearby Bologna, but she fails to show up at the bus station. Instead, Andrea is joined by his older sister Stefania–who's planning a runaway with her boyfriend Angelo.

With a View to Realism: The Making of Man on the Roof

2004

A documentary by Ronny Svensson and Markus Stromqvist on the making of Bo Widerberg's 1976 movie Man on the Roof, featuring extensive interviews with cast and crew

Celtic Legends: Irish Legends

1999

This revealing program shows that the search for the Celtic Gods of Britain is an extremely difficult task. Their origins are shrouded in mystery, but they are kept alive in a series of enduring stories. This program presents many of these stories, which have been passed down from generation to generation.

2Doc: What Are We Doing?

2023

In 2022, 92% of those affected encountered aggression or violence. Frans Bromet portrays six influences who encounter violence while carrying out their work. The violence with which the actual consequences are, leaves personal physical, especially mental, traces.

Seven Women: Miu Kam-Fung

1976

Miu Kam-fung, who plays the film’s titular character, addresses her identity as housewife and actress in Patrick Tam’s commentary on the dangers of rampant consumerism, seen as a defining moment for contemporary Hong Kong. In its studied references to Godard, Tam’s work buzzes with modern life—supermarkets, billboards, television—and juxtaposes these references with questions about marital infidelity, middle-class morality, and even political sentiment.

The Phantom: The Man, the Myth, the Legend

1996

HBO First Look's episode on The Phantom

Seven Women: Liza Wang

1976

In the last episode of Patrick Tam’s anthology series “Seven Women” (1976), Lisa (Lisa Wang) suffers from "environmental depression" and those around her treat her like a lunatic. Joyce deploys a creative mix of dialogue and monologue to illustrate Lisa's complicated personality. She might act like any normal obedient daughter around her parents, yet other times she reveals her overly sensitive and suspicious mind as her moods run the gamut from poetic to violent. The villa where Lisa is sent to heal becomes a tumultuous battleground when a young doctor who has his own psychological hang-ups begins treating her and a conflict of egos is ignited.

Whore Revolution

2023

Whore Revolution is led by members of the organizations OMESPRO La Paz and OMESPRO Santa Cruz; These become builders of a story that makes use of a symbolic lever to transfer the central discussions of the whore universe to a political and poetic space. The film is structured in four parts with their own entity, which together make up a piece that has the vocation and versatility to invade all types of spaces—except virtual ones. María Galindo turns the camera and questions the viewer: "Without money and without work... I want to see you in my place."