Movi Hub

The Home Movies of Eva Braun

1983

Notable for providing a bucolic, personal view of high-ranking Nazis. Eva Braun was the longtime romantic companion to Adolf Hitler, as well as a photographer and amateur filmmaker. Her 8mm Agfacolor-stock home movies, recorded at her leisure, were seized by the US Army in 1945. They were subsequently assembled into 8 reels, from 28 reels of original camera negatives. The US National Archives received this 8-reel film in 1947, and in 2012 began the digital restoration process.

0.0

Reflejos

2021

Two generations dialogue through the images they filmed of their children, a reflection of the emotional bond that arises from their involvement with what was shot.

7.3

Erna, Helmut and the Nazis

2021

Germany, 1929. Helmut Machemer and Erna Schwalbe fall madly in love and marry in 1932. Everything indicates that a bright future awaits them; but then, in 1933, Adolf Hitler and the Nazi Party rise to power and their lives are suddenly put in danger because of Erna's Jewish ancestry.

4.0

Memory

2007

Memory is a collaboration with musician Noah Lennox (Panda Bear), exploring the relationship between a musician and filmmaker and their personal reflection on memories. From Super 8 home movies and entirely handmade, this film explores familiar memories, the present moment combined with past experiences and how it all seems to evade from our present memory.

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Stone Street

2012

Stone Street documents the life and experiences of a Trinidadian diaspora family and their enduring connection to the long standing family home in Port of Spain. Through the intersecting journeys of this extended and extensive family, the filmmaker explores themes of home, belonging and identity in a life defined by the fragmentary nature of a migratory Caribbean culture. This experimental documentary combines a lyrical first person voice with a family archive of home made audio visual artifacts, interviews and events. As the documentary explores the fragmentary nature of Caribbean identity, it simultaneously celebrates the fragments of domestic memorializing found in home movies, videos and photographs. Stone Street uses these various forms to evoke the experience of a complex and diverse Caribbean and Caribbean diaspora identity.

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The Babysitter

2020

When Melody was a young child, 20+ years away from coming out as transgender, she developed an obsession with movies. One of her biggest hobbies was acting out her favorite VHS tapes, FBI warnings and trailers included, in front of her parents' camcorder. Mom and dad realized this was an easy way to keep their child busy. Thus, the camera became a sort of babysitter, resulting in dozens of tapes featuring Melody performing in front of the (usually stationary) camera.

6.7

Swastika

1974

Comprised of video shot during the Nazi regime, including propaganda, newsreels, broadcasts and even some of Eva Braun's colorized personal home movies, we explore the way in which the Third Reich infiltrated the lives of the German population, from 1933 to 1945.

7.0

FLOAT!

2023

With depth, intimacy, and humor, FLOAT! captures filmmaker Azza Cohen's magnetic grandma’s life-affirming journey learning to swim at 82, inspiring audiences to defy societal expectations of aging and to boldly look forward at every stage.

5.5

Home Movie

1974

Filmmaker Jan Oxenberg narrates her own home videos, commenting on how her views towards lesbianism and femininity have evolved over time.

6.0

A Mug's Game?

1973

Transmitted as part of BBC Schools series Scene, 8 March 1973. Actor improvisations around the theme of gambling devised by Mike Leigh.

0.0

Liam

2018

Just after Isidore moves to France to study filmmaking, his best friend dies back in the US. Through documentary, performance, and animation, a ghostly portrait emerges, prompting Isidore to question his relationships with his parents and his boyfriend in Paris.

0.0

Ari et Alain

2013

"Cinématon" No. 2735 of Ari Boulogne, filmed by Gérard Courant on May 31, 2013, in Fontenay-aux-Roses, France (Silent). Ari Boulogne's portrait by Gérard Courant (2013 - silent).

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The Limits of My World

2019

THE LIMITS OF MY WORLD follows a nonverbal young man’s transition from the school system into adulthood. Brian has autism and faces the daily challenges of adjusting to his new life. Filmed from the intimate perspective of his older sister Heather, this documentary seeks to understand Brian’s personality beneath his disability. THE LIMITS OF MY WORLD is an autistic coming of age story exploring what it means to be a nonverbal disabled person in today’s society.

0.0

Joan Crawford's Home Movies

1942

The private Joan Crawford fought as hard to create a normal family life as she did to establish her career. She forged her own path and to that end became a single parent, eventually adopting and raising four children. Like many parents, she picked up a 16mm camera and began filming both the special and the ordinary events of her family’s life. These home movies (ca. 1940–42) present that which one rarely gets to see: a larger-than-life personality at home, unadorned, just being herself—and often in color, at a time when her feature films were black and white. Crawford filmed most of the home movies herself; when she is on camera, it is unclear who is behind it.

5.0

The Sky is Beautiful

2026

Made this because I love the sky.

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Ari Boulogne X 3

2013

The mix of my films with Ari Boulogne: Ari Boulogne, Cinématon number 2735, Ari Boulogne and Marie-Hélène Raby, Couple number 139 and Les Amis d’Ari Boulogne, Portrait de groupe number 252, filmed on May 31, 2013.

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[Lavagna – The Beach – Blind Man’s Buff – Le Grazie]

1925

A brief amateur silent film (1'54", DCP from 9.5mm reversal, 16 fps) without intertitles, sourced from Fondazione Home Movies – Archivio Nazionale del Film di Famiglia, Bologna. It forms part of a larger group of 27 amateur 9.5mm films attributed to Nena Lavello, who was 16 years old at the time of filming. Shot during the spring and summer of 1925, the collection documents a range of domestic and travel scenes, including visits to Sicily, Campania, and northern Italy. This particular film captures moments of leisure and companionship on the beach at Lavagna, reflecting the filmmaker’s early engagement with light, composition, and movement. As noted by Michele Manzolin in the 2025 Pordenone Silent Film Festival catalogue, the footage serves as a visual record of youthful play and friendship, offering insight into the personal and expressive potential of early amateur filmmaking.

0.0

La Vida que Deseaba