Girls Taking Time Checks

Africa Light / Gray Zone

2010

"Africa Light" - as white local citizens call Namibia. The name suggests romance, the beauty of nature and promises a life without any problems in a country where the difference between rich and poor could hardly be greater. Namibia does not give that impression of it. If you look at its surface it seems like Africa in its most innocent and civilized form. It is a country that is so inviting to dream by its spectacular landscape, stunning scenery and fascinating wildlife. It has a very strong tourism structure and the government gets a lot of money with its magical attraction. But despite its grandiose splendor it is an endless gray zone as well. It oscillates between tradition and modernity, between the cattle in the country and the slums in the city. It shuttles from colonial times, land property reform to minimum wage for everyone. It fluctuates between socialism and cold calculated market economy.

Kings of Comedy: Masters of the Silent Screen

2007

A documentary about some of the comedians of the silent era featuring clips from their films and biographical information.

The Eruption of Mount St. Helens!

1980

Originally shown in IMAX theaters, this film presents highly detailed and lavish views of the gorgeous scenery of the Pacific Northwest, both as they appeared before the top 1,300 feet of Mount St. Helens was blown into the sky and during the disaster's dramatic aftermath.

Zion Canyon: Treasure of the Gods

1996

A breathtaking view of Zion National Park filmed originally in the IMAX format.

More Dangerous Than Dynamite

1941

A short film warning the unaware housewife of the dangers of “dry cleaning” with gasoline at home.

1/57: Experiment with Synthetic Sound (Test)

1957

Mostly dark, rejecting images which are repeated. A stone wall, the chamber of a revolver which is, at first not recognizable, a close-up of a cactus. The duration of the takes emphasises the photographic character of the pictures, simultaneously with a crackling, brutal sound. (Hans Scheugl)

Les Outils du Jeu

2017

This non-narrative short film examines one of the great American icons: the Louisville Slugger baseball bat. The film was conceived by its co-directors, Marlon Johnson and Dennis Scholl, along with the Louisville Orchestra's conductor, Teddy Abrams, to be screened set to a live performance by the orchestra of Claude Debussy's "Jeux".

Sons of the Surf

1926

Surfing at Waikiki Beach, Hawaii, on the island of Oahu. Most surfers are human, one is a dog. The educational documentary is part of the Bruce Scenic Novelties series.

Aan ons den arbeid

2007

Documentary that shows the changing attitude towards immigrant labor in The Netherlands. The documentary follows three immigrants that arrived in Holland 30 years ago to work in a bakery.

Boxing Match; or, Glove Contest

1896

Staged boxing match between Sergeant-Instructor Barrett and Sergeant Pope, with a round, interval, and knockout.

Monkeyland, a Jungle Romance

1908

A jungle travelogue looking for monkeys.

Women of the Ghetto Bathing

1901

The subject is a group of women bathing in a public swimming pool. The camera was placed on the edge of the pool and the full extent of the film shows the women in the pool. Only the heads and shoulders of most of the women are visible but it is possible to see they are wearing rented bathing attire.

Gula

2008

Watch the Tempo

2018

On 18th of December 2017, the Filarmonica Teatro Regio Torino, directed by Timothy Brock, presented "The Gold Rush" by Charles Chaplin, with live performance of the soundtrack. But let's go back a few days: this short film takes us in the backstage of the concert!

The Arrival of a Train at La Ciotat

1896

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.