Dr. Cook at Copenhagen

Speed Racer: Welcome to the World of Vic Chesnutt

1994

A portrait of Athens, Georgia singer-songwriter Vic Chesnutt.

Eastern Memories

2018

At the turn of the 19th and 20th century Finnish philologist G. J. Ramstedt travelled around Mongolia and Central-Asia. In this documentary Ramstedt’s memoirs are heard in the modern day setting, where tradition is replaced with hunger for money, and deserts give way to cities.

Budapest : cortège du sceptre royal

1896

These two views were taken during the celebrations given in 1896 on the occasion of the millennium of the foundation of the kingdom of Hungary. Horsemen and men on foot parade, all dressed in historic uniforms.

The Epic of Everest

1924

The official record of Mallory and Irvine's 1924 expedition. When George Mallory and Sandy Irvine attempted to reach the summit of Everest in 1924 they came closer than any previous attempt. Inspired by the work of Herbert Ponting (The Great White Silence) Captain Noel filmed in the harshest of conditions, with specially adapted equipment, to capture the drama of the fateful expedition.

The Heart of 'The Natural'

2001

Sperduti nel buio

2014

Documentary about the lost 1914 film "Sperduti nel buio". Film historian Denis Lotto journeys across Europe following the trail of the lost movie.

The Way to the Sea

1936

A 1936 documentary film about the London to Portsmouth railway. A lesser known contemporary of Night Mail, also featuring the music of Benjamin Britten and poetry of W.H. Auden.

Spiders on a Web

1900

Consisting of a single shot, Spiders on a Web is one of the earliest British examples of close-up natural history photography. Made by one of the pioneers of the British film industry, G.A. Smith, this short film details spiders trapped in an enclosure, and despite the title, does not actually feature a web.

Danse Serpentine (In a Lion's Cage)

1900

Madame Ondine performs a serpentine dance surrounded by big cats.

This Mountain Life

2018

A daughter and her 60-year-old mother embark on a 6 month, 2,300-kilometre ski trek through British Columbia’s rugged terrain.

Woman Draped in Patterned Handkerchiefs

1908

Woman Draped in Patterned Handkerchiefs is a 1908 British short silent documentary film, directed by George Albert Smith as a showcase his new Kinemacolor system, which features a woman displaying assorted tartan cloths, both draped on her body and waved semaphore-style. The patterned handkerchiefs are, according to Michael Brooke of BFI Screenonline, “presumably the same cloths featured in Tartans of Scottish Clans (1906), this time shown from various angles.”

The People's Land

1943

A short documentary about the work of the National Trust in Great Britain

The Boxing Kangaroo

1896

The Boxing Kangaroo is an 1896 British short black-and-white silent documentary film, produced and directed by Birt Acres for exhibition on Robert W. Paul’s peep show Kinetoscopes, featuring a young boy boxing with a kangaroo. The film was considered lost until footage from an 1896 Fairground Programme, originally shown in a portable booth at Hull Fair by Midlands photographer George Williams, donated to the National Fairground Archive was identified as being from this film.

Nanook of the North

1922

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

The Arrival of a Train at La Ciotat

1896

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.