Ma tu di che segno 6?

History of the World: Part I

1981

An uproarious version of history that proves nothing is sacred – not even the Roman Empire, the French Revolution and the Spanish Inquisition.

Wild Tales

2014

Injustice and the demands of the world can cause stress for many people. Some of them, however, explode. This includes a waitress serving a grouchy loan shark, an altercation between two motorists, an ill-fated wedding reception, and a wealthy businessman who tries to buy his family out of trouble.

Return to Horror Hotel

2019

Return to Horror Hotel is an anthology feature with 4 segments. One is about giant a bedbugs, one is about a magical charm that turns girls beautiful, one is about a WWII sailor who hasn't aged and one is about a terrorizing severed hand.

Amazon Women on the Moon

1987

Centered around a television station which features a 1950s-style sci-fi movie interspersed with a series of wild commercials, wacky shorts and weird specials, this lampoon of contemporary life and pop culture skewers some of the silliest spectacles ever created in the name of entertainment.

Flow

1996

A filmmaker talks about his work and love life with an unseen friend behind the camera. We also watch four of his short films.

Technoburger

Invalid Date

Technoburger, a horror-satire anthology, uncovers the unnerving implications of technology addiction as four individuals' lives are disrupted by their digital obsessions, blurring the lines between reality and the virtual world under the omnipresence of a dominating tech corporation.

Martyrs of Love

1967

This three-part ballad, which often uses music to stand in for dialogue, remains the most perfect embodiment of Nemec’s vision of a film world independent of reality. Mounting a defense of timid, inhibited, clumsy, and unsuccessful individuals, the three protagonists are a complete antithesis of the industrious heroes of socialist aesthetics. Martyrs of Love cemented Nemec’s reputation as the kind of unrestrained nonconformist the Communist establishment considered the most dangerous to their ideology.

Hořké pivo, sladký likér

1968

Amici come noi

2014

Four Rooms

1995

It's Ted the Bellhop's first night on the job...and the hotel's very unusual guests are about to place him in some outrageous predicaments. It seems that this evening's room service is serving up one unbelievable happening after another.

Wasteland

2019

Wasteland is a five-part anthology film that deals with isolation, mental illness, and the subjectivity of reality. Each of the five parts can be watched individually, but when viewed in sequence, each story brings out a more interesting and distinct context to its respective pieces.

Everything You Always Wanted to Know About Sex *But Were Afraid to Ask

1972

A collection of seven vignettes, which each address a question concerning human sexuality. From aphrodisiacs to sexual perversion to the mystery of the male orgasm, characters like a court jester, a doctor, a queen and a journalist adventure through lab experiments and game shows, all seeking answers to common questions that many would never ask.

Face's a Verb

2021

An anthology film of seven short films made during the Training Camp of FIRST Film Festival 2021.

A Unique Movie

2017

Ep.01 My wife's healing Yumi and Hyun-tae are on a journey of reconciliation overnight to overcome bourgeoisie. Eating dinner together I'm going to join the couple who stayed in the next room. Jae-yong informs Lee Hyun-tae that he can overcome boredom ... Ep.02 Soap Scent Eun-su, who was tired of her boyfriend, told a Chinese housekeeper I am at a glance, and both of them cross over the lines I should not cross ... EP.03 Singularity Family The family of Sehun, who is reconciled with other family members, enjoys each other's private life in the evening. Sehun went to the bathroom in the middle of the night and witnessed a scene he could not imagine Sehun himself confesses his family to the absurd fact ...

Afrocentricity

2000

On the surface, this collection of shorts by up-and-coming African American filmmakers arrived at a perfect time. The cutting-edge products of the New Black Cinema of the early '90s had disappeared, giving way to embarrassingly stereotypical, scatological fare such as Booty Call and Next Friday. This feature-packed compilation (which includes production notes, interviews with all of the filmmakers, and audio commentary by four) attempts to prove that African American cinema is intent on moving past the lowbrow humor, as six of the seven shorts steer clear of any comedy.