The Road to Romance

People on Sunday

1930

A semi-documentary experimental 1930 German silent film created by amateurs with a small budget. With authentic scenes of the metropolis city of Berlin, it's the first film from the later famous screenwriters/directors Billy Wilder and Fred Zinnemann.

The Moon Beauty

1916

L'Âge d'or

1930

The film consists of a series of tightly interlinked vignettes, the most sustained of which details the story of a man and a woman who are passionately in love. Their attempts to consummate their passion are constantly thwarted, by their families, by the Church and bourgeois society in general.

Cameo Kirby

1914

Cameo Kirby is a 1914 American drama silent film directed by Oscar Apfel and written by Clara Beranger and William C. deMille. The film stars Dustin Farnum, Fred Montague, James Neill, Jode Mullally, Winifred Kingston and Dick La Reno. It is based on the play Cameo Kirby by Booth Tarkington and Harry Leon Wilson. The film was released on December 24, 1914, by Paramount Pictures.

The Last Laugh

1924

An aging doorman, after being fired from his prestigious job at a luxurious hotel, is forced to face the scorn of his friends, neighbours and society.

Behind the Door

1919

Oscar Krug is looked upon with suspicion by his neighbors because of his German name. When the US is drawn into the war with Germany, he enlists and travels the seas with his wife, Alice Morse. During a submarine attack Alice is snatched from Krug's side by a German officer. Krug now lives to have his revenge, and when the opportunity presents itself, he will have it.

The Bright Shawl

1923

Charles Abbott is implicated in the death of his friend Escobar, brother to the woman he loves.

The Buddenbrooks

1923

Four-generation story-saga dealing with the decline of a middle-class Lübeck family. The first adaptation of a Thomas Mann book was also Gerhard Lamprecht’s first major film.

Tortured Souls

1917

Bookkeeper Kremke

1930

In this realistic, unsentimental portrait of Germany’s dire economic situation, a middle-aged payroll clerk loses his job due to technological advances and, unable to find another, descends into despair. The film’s director, Marie Harder, was one of only a few women directors of the time and was also the head of the German Social Democratic Film Office. She made only two known films before her accidental death in exile in Mexico in 1936.

Under the Lantern

1928

Else Riedel (Lissy Arna), locked out by her authoritarian father, seeks refuge with her boyfriend Hans. Complications threaten when Hans's roommate Max falls in love with her, but the situation is resolved: the three remain friends, and decide to form a music hall act. They want to ascend, but how? A way out beckons when a theatrical agent named Nevin enters Else’s life. He is played by Hubert von Meyerinck as a slick and oily villain, who oozes refinement; his experience behind bars is waved away with a silk scarf. He is cunning to the point of perfidiousness, but is not completely unsympathetic. He also embodies a new type - the scrounger.

Aelita: Queen of Mars

1924

A young man travels to Mars in a rocket ship, where he leads a popular uprising against the ruling group with the support of Queen Aelita, who has fallen in love with him after watching him through a telescope.

Woman in the Moon

1929

A scientist discovers that there's gold on the moon. He builds a rocket to fly there, but there's too much rivalry among the crew to have a successful expedition.

Dr. Jekyll and Mr. Hyde

1920

A doctor's research into the roots of evil turns him into a hideous depraved fiend.

Freckles

1928

Freckles, an orphan with disabilities, gets a job at McLean's lumber camp as a guard in Limberlost forest. Although the forest is infested with desperate characters, Freckles shows courage and determination. A beautiful girl whom he calls the "Swamp Angel" and the "Bird Woman" assist him in driving off timber thief Wessner and his gang. Later, Freckles refuses a bribe Wessner offers if he will permit Wessner to steal some trees. Instead, Freckles gives Wessner a beating, and his loyalty to McLean earns him a cash reward. Freckles falls in love with the Swamp Angel, but the social differences between him and the girl prevent him from declaring himself. He makes no attempt to recover when a large tree falls and seriously injures him. His recuperation is hastened, however, when the girl expresses her love for him.