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Rytmus

1941

An experimental film from Jirí Lehovec, mixing the sound process with animated rhythms.

OLO, the Boy from Tibet

2012

A 6-year-old Tibetan boy leaves his family and flees to a refugee camp in northern India.

Trypps #5 (Dubai)

2008

A short treatise on the semiotics of capital, happiness, and phenomenology under the flickering neon of global capitalism.

Complainant

2017

There is nothing left to do but complain.

Out of the Law

2017

Beyond all human restraint lies one's lugubrious layers of paint.

HoLy Cycles

2017

Steadily reading while/becomes treading into murky waters.

Scroll on Thru

2017

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Cloudscape

2021

Combining home movies, 16mm footage, audiotape, and an original score, Gallisá Muriente’s poetic excavation oscillates between chronicle, dream, and document. Where people and nature meet, she uncovers environmental and colonial memories from her grandmother’s past and in the landscape of Puerto Rico.

Anônimo e incomum

1990

Time Laughs Back at You Like a Sunken Ship

2012

Super 8 film transferred to HD video

Alaska

1969

Alaska is a wordless experimental film with a simple, droning soundtrack that sounds as if it is a piece for violin and refrigerator hum.

1/57: Experiment with Synthetic Sound (Test)

1957

Mostly dark, rejecting images which are repeated. A stone wall, the chamber of a revolver which is, at first not recognizable, a close-up of a cactus. The duration of the takes emphasises the photographic character of the pictures, simultaneously with a crackling, brutal sound. (Hans Scheugl)

Finds Itself in Corners

2017

Lines align during acclimated apexes, shadowy vertices, and bright burrows.

42/83: No Film

1983

"In 1983, I got a job as a museum attendant and abandoned film-making entirely. And so the question arose: "no film?," and the conclusion I came to was: no film. Question mark." (K.K.)

Joseph Cornell: Worlds in a Box

1991

This is a 1991 documentary film about the legendary artist and filmmaker, Joseph Cornell, who made those magnificent and strange collage boxes. He was also one of our great experimental filmmakers and once apparently made Salvador Dali extremely jealous at a screening of his masterpiece, Rose Hobart. In this film we get to hear people like Susan Sontag, Stan Brakhage, and Tony Curtis talk about their friendships with the artist. It turns out that Curtis was quite a collector and he seemed to have a very deep understanding of what Cornell was doing in his work.