Rigoletto

Puccini: Turandot

2009

Franco Zeffirelli's magnificient staging of Puccini's final opera - a fairy tale set in a mythical China - is one of the most popular in the Met repertory. In this Live in HD production, Maria Guleghina takes on the title role and Marcello Giordani is Calaf, the unknown prince. Marina Poplavskaya and Samuel Ramey co-star, and Andris Nelsons conducts in his Met debut.

El Sistema at the Salzburg Festival

2014

Eddie Cochran & Friends: C'mon Everybody

2004

The Shadows - The Final Tour

2004

The Shadows long and influential career has spanned 6 decades, with hit singles or albums in every one of them. Hank Marvin's guitar playing has been an inspiration to hordes of guitarists down the years, including the likes of Brian May, Eric Clapton and Pete Townshend. Over a decade since their last tour, Hank Marvin, Bruce Welch and Brian Bennett

Kate Bush: On Tour

1979

Aired as part of BBC's 'Nationwide' programming, this documentary captures the leadup to 'The Tour of Life'.

HKPO Sandy x Anthony Live

2004

Symphony n. 9 by Ludwig van Beethoven in St. Mark’s Square

2023

Juraj Valčuha conducts Beethoven's Symphony 9th.

Off to the Races

2021

Part music video and part documentary, Off to the Races is a new arrangement of the classic Erhu song, Horse Race. The film is a collaboration between the Calgary Chinese Orchestra, filmmaker Vicki Van Chau, and music producer Warren Tse. Through an open call process, the film features 72 participants from the global music community playing with the members of the Calgary Chinese Orchestra, in celebration of the Lunar New Year.

Puccini: La bohème

2020

Richard Jones’ “La bohème” is an important weapon in the Royal Opera’s commercial arsenal. This is its second revival since Jones’ production hit the stage in autumn 2017, replacing John Copley’s beloved 40-year old staging, resplendent with period detail and resolutely naturalist. Jones brings a considerable break with the past in his approach, pointing the way towards thought-provoking possibilities for the work, though it is a clearly a show that defers to the need for regular revival and breadth of appeal.

Fidelio

2020

Beethoven’s only opera is a masterpiece, an uplifting story of risk and triumph. In this new production, conducted by Antonio Pappano, Jonas Kaufmann plays the political prisoner Florestan, and Lise Davidsen his wife Leonore (disguised as ‘Fidelio’) who daringly sets out to rescue him. Set in strong counterpoint are the ingredients of domestic intrigue, determined love and the cruelty of an oppressive regime. The music is transcendent throughout and includes the famous Act I Quartet, the Prisoners’ Chorus and Florestan’s impassioned Act II cry in the darkness and vision of hope. Tobias Kratzer’s new staging brings together the dark reality of the French Revolutionary ‘Terror’ and our own time to illuminate Fidelio’s inspiring message of shared humanity.

The Metropolitan Opera: Idomeneo

2017

Mozart’s early masterpiece returned to the Met for the first time in more than a decade with Music Director Emeritus James Levine, who led the work’s company premiere in 1982, again on the podium. Tenor Matthew Polenzani brings both steely resolve and compassionate warmth to the title king of Crete, who is faced with an impossible decision. With her rich mezzo-soprano, Alice Coote sings the trouser role of Idomeneo’s son Idamante, who loves the Trojan princess Ilia, sung with delicate lyricism by Nadine Sierra. Elza van den Heever gives a thrillingly unhinged portrayal of the jealous Elettra. Jean Pierre-Ponnelle’s timeless production blends the grandeur of ancient myth with the elegance of Enlightenment ideals.

The Metropolitan Opera: Eugene Onegin

2017

Tchaikovsky’s setting of Pushkin’s timeless verse novel is presented on the Met stage in Deborah Warner’s moving production, starring Anna Netrebko as Tatiana and Mariusz Kwiecien and Peter Mattei sharing the title role. Alexey Dolgov sings the role of Lenski, and Robin Ticciati conducts.

Der Rosenkavalier

2017

In his new production, Robert Carsen places the action at the end of the Habsburg Empire, underscoring the opera’s subtext of class and conflict against a rich backdrop of gilt and red damask

The Page Turner

2006

Mélanie Prouvost, a ten-year-old butcher's daughter, is a gifted pianist. That is why she and her parents decide that she sit for the Conservatory entrance exam. Although Mélanie is very likely to be admitted, she unfortunately gets distracted by the president of the jury's offhand attitude and she fails. Ten years later, Mélanie becomes her page turner, waiting patiently for her revenge.

Die Zauberflöte

1971