Wild Mane Crop

To Be and to Come Back

2014

A filmmaker comes back to his grandparents' house to make them a video-portrait. That's what cinema is about, isn't it?

Devalar (C)

2019

In Galician, Devalar means “the passing of time over things”. This short movie is a portrait of a seaside Galician village, on the edge of the Atlantic ocean, drawn by the memories of the director.

Bs. As.

2006

"Bs.As." is an experimental documentary film that reframes the history of immigration from Galicia (Spain) to Buenos Aires (Argentina). A Galician man's curiosity about his long-lost relatives who immigrated to Buenos Aires takes him on a surreal journey across times and space. Through travel, photographs, letters, and phone calls he explores the unpredictable ways in which immigration creates both bonds and distance between people and places. "Bs.As." received various awards including the Premio Foco Galicia (Tui, 2007).

Queimar cando morra

2024

Aimless Wanderer

2014

Hyohakusha is a lyrical trip to Japan, passing through Galicia (magic land in the northwest of Spain). Two women filmmakers recover twenty forgotten rolls of Super8 that showed the journey of two Galicians to different places of Japan in 1973, and with this material, and the reflections and emotions of his owner watching the rolls for the first time (the son of the travelers) with her wife, that is Japanish and could not know her father in law that died soon after that trip, these two filmmakers give birth to a new story seeking suggestive relations between the two countries (half of the film is filmed by them in Galicia, also in Super8). This filmmakers during the process of making this film are reading a book of haikus of Basho, that wrote in his lyrical diary "Oku no Oshomichi" about the beauty of some of the places where this Galician couple went to visit in their trip to Japan many centuries later. So some passages of this travelogue are included too.

O Porco e o Seu Espírito

2017

"Man, in the need to explain and understand the world around him, gives the animal, especially on the symbolic level, the functions performed, at first only for himself. It is believed that the pig guesses its end, feels death, and on the eve of the slaughter spends the night beating on the door of the court, which is expressed with the belief that that night it gets up seven times to eat the owner". (Adrian Canoura)

Extralife

2013

Peter Weiss' The Aesthetics of Resistance meets a General Strike in Barcelona on September 2010. That night's discussions will be put into question by five anonymous friends who are no longer adolescents nor communist militants and yet also try to oppose the state of things, as did the protagonists of Weiss's novel.

Viaxar aos teus recordos é buscar pelexa

2023

Escuros, Roncos e Compasados

2012

Absorbed, Unnatural, Dismal, Deface, SOK, Wisdom, Detestor ... Names linked to a very specific movement such as Death Metal and to a time and place as the Galicia from the 1990s. In this documentary, through interviews with members of that movement, from band members to producers or fanzine writers, we try to pay homage to an underground movement as Galician Death Metal along the 90s, deepening its history and its stories.

Al-Nasr Al Tair

1969

La brecha

Invalid Date

O cazador

2008

Na Galiza de Vizoso

2025

An animation tribute for graphic artist Xosé Vizoso, responsible for developing Galician visual culture through his work and during his path at the Sargadelos factory, where he became heir to the language built by Isaac Díaz Pardo and Luis Seoane.

Fragmentos de Brand

2012

A tale in four times based in a theatrical performance inspired in the dramatic poem Brand by Henrik Ibsen. Brand wakes up next to a tree in the middle of a desolate space. He seems not remember who is he or what he is doing there. After wandering aimlessly, he meets three unknown who don't speak a word. Without knowing exactly what they want from him, Brand, who sees in everything what surrounds him biblical signs of a divine mission, lets himself be guided by them. From that moment, everything develops as a tale at the same time naive and cruel, in a rough, rude and primitive environment.

The Objects' Statement

2017

Everything changes the day Sofia decides to take on her relationship with Paloma. Behind the supposed acceptance of her parents hides a plan to redirect their daughter to heterosexuality. And behind the apparent facade of tenderness and understanding in the couple hides a situation of maltreatment and instability that will take them to the limit.