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Encounter Point

2006

Encounter Point is an 85-minute feature documentary film that follows a former Israeli settler, a Palestinian ex-prisoner, a bereaved Israeli mother and a wounded Palestinian bereaved brother who risk their lives and public standing to promote a nonviolent end to the conflict. Their journeys lead them to the unlikeliest places to confront hatred within their communities.

Pretty Bloody: The Women of Horror

2009

Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.

Manufacturing Dissent

2007

"Michael Moore doesn't like documentaries. That's why he doesn't make them." A documentary that looks to distinguish what's fact, fiction, legend, and otherwise as a camera crew trails Michael Moore as he tours with his film, Fahrenheit 9/11.

Dirigenterna

1987

Six women have entered a male world - the orchestra conductors. The doubtfulness against female conductors and musicians in the world of classical music becomes clear during a visit to the Vienna Philharmonic. Conductors Sixten Ehrling and Jorge Mester comment on the prevailing conservative attitudes among colleagues.

Lines from the Heart

1996

The trio of actresses have ostensibly gathered to pay tribute to Mai Zetterling, but also reminisce about their own careers and the illustrious figures, including Ingmar Bergman, they have worked with.

These Are My People...

1969

This documentary short is the first film made by an all-Aboriginal film crew, training under the NFB's Challenge for Change Program. It was shot at Akwesasne (St. Regis Reserve). Two spokesmen explain historical and other aspects of Longhouse religion, culture, and government and reflect on the impact of the white man's arrival on the Indian way of life.

Time Out: The Truth About HIV, AIDS and You

1992

Join stars Paula Abdul, Luke Perry, Sinbad, Pauly Shore, Jaleel White and many, many more as they take an entertaining, music-filled and honest look at HIV and AIDS. You'll get all the latest facts, important dos and don'ts, and you'll meet some wonderful people. Co-hosts Arsenio Hall and Earvin "Magic" Johnson even hit the court for a little one-on-one, and then take "time out" for an informative heart-to-heart! For people who already know about HIV and AIDS, and for those who don't, TIME OUT is a video you can't afford to miss.

We the Economy: 20 Short Films You Can't Afford to Miss

2014

Everyone’s talking about it, but who can explain it? Paul G. Allen’s Vulcan Productions and Morgan Spurlock’s Cinelan have partnered to produce WE THE ECONOMY 20 Short Films You Can’t Afford to Miss. Each film is helmed by an acclaimed filmmaker, each with their own creative vision. The series aims to drive awareness and establish a better understanding of the U.S. economy. Told through animation, comedy, musical, non-fiction, and scripted films, WE THE ECONOMY seeks to demystify a complicated topic while empowering the public to take control of their own economic futures.

No Loitering

2002

An intimate portrait of teenagers trying to understand their world and their possibilities. The film weaves together video shot by teens and by the filmmaker, as they work together to make a film and create expressive outlets for youth in the community. They organize dances and community events and paint a mural. At the same time, with humor and pathos, these young people raise issues around violence, feeling misunderstood by adults and lacking respect in their community. Set in the small town of Sitka, Alaska, home to a large Alaska Native population, the video chronicles their creativity, concerns and dreams.

Devil's Playground

2002

The Devil's Playground is a fascinating and moving documentary about a little-known aspect of Amish life. Amish are not permitted to join the church until their late teens, and have to do so of their own volition. The film explores Rumspringa, wherein young Amish are given the opportunity to explore the "English" way of life.

By the People: The Election of Barack Obama

2009

By the People: The Election of Barack Obama is a documentary film produced by Edward Norton broadcast in November 2009 on HBO, which follows Barack Obama and various members of his campaign team, including David Axelrod, through the two years leading up to the United States presidential election on November 4th, 2008.

Dark Horse

2015

The larger than life true story of how a barmaid in a poor Welsh mining village convinces some of her fellow residents to pool their resources to compete in the "sport of kings" with a racehorse they would breed and raise.

Calypso Rose: The Lioness of the Jungle

2011

A Powerful Noise

2008

Bookended by call-to-action quotes from Margaret Mead and Mahatma Gandhi, this inspiring documentary follows three extraordinary women -- in Bosnia-Herzegovina, Mali, and Vietnam -- as they lead day-to-day battles against ignorance, poverty, oppression, and ethnic strife.

The Illusion

2009

Susana Barriga’s documentary, the illusion, begins with violence. A long shot reveals a man standing on a street corner, his features indiscernible in the night. He moves out of the camera’s line of vision, but the filmmaker, persistent, moves with him as the jostling of the camera marks her steps. As we learn moments later, the man in the distance is Susana’s father – and this is the clearest image of him we will have. Suddenly, an angry British man demands that Susana cease filming. Susana protests in heavily accented English, “He is my father!” Glimpses of a man’s torso are followed by blurred images as the camera spins rapidly over surfaces. The image cuts to black. A new male voice asks in carefully spaced out words if Susana would like him to call the police. When she doesn’t respond immediately, he speaks louder, as though volume would compensate for the language difference. She gives her name; she refuses the offer of an ambulance.