Repercussion

Il malatino

2017

Guadalcanal Requiem

1977

One of Paik’s most overtly political and poignant statements, Guadalcanal Requiem is a performance/documentary collage that confronts history, time, cultural memory and mythology on the site of one of World War II’s most devastating battles.

9/11 Simulation in Roblox Environment

2017

CGI collage short film originally premiered as part of the 'Extinction Renaissance' exhibition at the Loyal Gallery in Stockholm.

Technology/Transformation: Wonder Woman

1978

The video opens with a barrage of explosive imagery along with an audio track of a siren taken from the 1970s TV show Wonder Woman. The following scenes are fast paced repeated shots from Wonder Woman, with several scenes following of actress Lynda Carter as the main character Diana Prince, performing her transformative spin from secretarial role into superhero role. […] The representation of repeated transformations expose the illusion of fixed female identities in media and attempts to show the emergence of a new woman through use of technology. […] The video ends with a scene of repeating explosions that precedes a blue background with white text that scrolls upwards, delivering a transcription of lyrics to the song ‘Wonder Woman Disco'.

The death of the minotavr

2022

The death of the minotavr talks about the concept of the heroine's journey. Suffering, horror and exhaustion lead the protagonist to a process of transformation, abyss and expiation, because only murdering to minotaur and everything he represents is possible to return to life. From the female gaze, it shows the depth of the emotional wounds caused by domestic violence; the same one that the surrealist Dora Maar lived and that ask why, as a society, instead of killing the minotaur, we blindly continue to send him women only to be devoured and ask them why they simply did not fight, why they did not try get out of the labyrinth.

data-verse 1

2019

data-verse is a data-driven audio-visual trilogy by artist and composer Ryoji Ikeda which marks a two-decade culmination in the artist’s research. The trilogy addresses the layered dimensions of our world, from the microscopic, to the human, to the macroscopic. Through Ikeda’s process, massive scientific data sets have been transcribed, converted, transformed, de/re/meta-constructed and orchestrated to visualise and sonify the different dimensions that co-exist in our world between the visible and the invisible. Each variation immerses visitors in the vast data universe in which we live, capturing hidden facets of nature and the vast scientific knowledge underpinning our existence. This large-scale data-driven trilogy is generated by extremely precise computer programming and features a minimalist electronic soundtrack, harmonised with Hollywood-standard, high-definition, 4K DCI video projections of scientific data onto a large screen.

Good Morning, Mr. Orwell

1984

In his book "1984", George Orwell saw the television of the future as a control instrument in the hands of Big Brother. Right at the start of the much-anticipated Orwellian year, Paik and Co. were keen to demonstrate satellite TV's ability to serve positive ends-- Namely, the intercontinental exchange of culture, combining both highbrow and entertainment elements. A live broadcast shared between WNET TV in New York and the Centre Pompidou in Paris, linked up with broadcasters in Germany and South Korea, reached a worldwide audience of over 10 or even 25 million (including the later repeat transmissions).

Pancoran

2017

Motorcycles and cars are lost in the sound of traffic and disappear in bands sliced into film footage of Jakarta’s roads. The horizontal and vertical lines or checkerboard patterns emphasizing the density and chaos of the crowded roads were made by optically printing 16mm film.

Expansion

1973

Expansion remixes the images of Matsumoto’s Esctasis into an more colourful psychedelic short.

Minotavr II

Invalid Date

Fire Shall Come

2022

Video art piece by Michigan artist Gio Orlando.

Arbitrary Logic

1987

Arbitrary Logic, an interactive audio-visual synthesiser was first presented under the working title Osnabruk at the Osnabruk festival of 1987 and later as part of an improvised and computer music performance with Keith Rowe at the London Filmmakers Cooperative, December 1989.

Void Redux

2013

A nervous portrait of a Zagreb train station filmed from the tracks. The imminent impact leads to seeing stars. Super 8mm film with music by Barn Owl.

Moby Dick

2000

Guy Ben-Ner, one of Israel's foremost video artists, gained international recognition with a series of low-tech films, starring his family in absurdist settings carved out of their intimate spaces and their everyday surroundings. Many of his videos are inspired by screenplays for films, folktales and novels. Analyzing these literary and cinematographic passages allows him to exploit the conventions of film narrative: how to tell a story, captivate an audience through a tale, sustain a degree of tension and entertainment, and so on. At the same time, he corrupts the magic of fiction by openly showing us the entrails of everything he records, without worrying about revealing the tricks of the trade. A large part of his filmic oeuvre features a conglomeration of cinematic and literary references which the artist quotes, adapts or interprets. Ben-Ner self-referentially links the great themes and their literary, cinematic and artistic realization.

Proyecciones del Limbo

2025