A Tent on Mars

Bluffer sa vie

2012

Is the Crown at war with us?

2003

In the summer of 2000, federal fishery officers appeared to wage war on the Mi'gmaq fishermen of Burnt Church, New Brunswick. Why would officials of the Canadian government attack citizens for exercising rights that had been affirmed by the highest court in the land? Alanis Obomsawin casts her nets into history to provide a context for the events on Miramichi Bay.

Florent Vollant – Innu

2025

Florent Vollant, an iconic musician of the Innu nation, feels the urgent need to tell his story like never before. Co-founder of the celebrated duo Kashtin, renowned for his acclaimed solo albums and as a political activist in defense of his culture, Florent now has limited mobility due to a stroke. As he enters a new chapter of his life, he remains committed to creating, transmitting and dreaming up new projects.

Haida Carver

1964

On Canada's Pacific coast this film finds a young Haida artist, Robert Davidson, shaping miniature totems from argillite, a jet-like stone. The film follows the artist to the island where he finds the stone, and then shows how he carves it in the manner of his grandfather, who taught him the craft.

Haida Modern

2019

In the 50 years since he carved his first totem pole, Robert Davidson has come to be regarded as one of the world’s foremost modern artists. Charles Wilkinson (Haida Gwaii: On the Edge of the World) brings his trademark inquisitiveness and craftsmanship to this revealing portrait of an unassuming living legend. Weaving together engaging interviews with the artist, his offspring, and a host of admirers, Haida Modern extols the sweeping impact of both Davidson’s artwork and the legions it’s inspired.

L’Affaire Cédrika, selon Claude Poirier

2016

Nine years after the disappearance of Cédrika Provencher, Claude Poirier returns to the scene of the crime. With the help of lawyer Guy Bertrand, former minister Jacques Dupuis and witnesses of the events surrounding Cédrika's disappearance and the discovery of her skull, Poirier reveals all he knows about this sadly popular story.

Haida Gwaii: Restoring the Balance

2015

The conflict over forestry operations on Lyell Island in 1985 was a major milestone in the history of the re-emergence of the Haida Nation. It was a turning point for the Haida and management of their natural resources.

Highway of Tears

Invalid Date

Discover the endless highway in British Columbia where over 40 indigenous women and girls (by unofficial estimates) have disappeared since the 1970s.

Bill Reid Remembers

2022

Renowned Haida artist Bill Reid shares his thoughts on artistry, activism and his deep affection for his homeland in this heartwarming tribute from Alanis Obomsawin to her friend's life, legacy and roots.

Indignité

2020

Gilles Vigneault : au coeur du pays

2025

Tantoo Cardinal

2021

A moving portrait of actress Tantoo Cardinal, travelling through time and across the many roles she’s played, capturing her strength and her impact—and how she shattered the glass ceiling and survived.

Jour de juin

1959

Boisbouscache

2022

The TNO (Unorganized Territory) Lac-Boisbouscache is a 150 square kilometer public forest located in the Lower St. Lawrence region of Quebec, Canada. Through the eyes of the forest's residents and users, the film paints a portrait of a territory that has long been coveted by private groups with diverse interests. Boisbouscache is a story of dispossession based on current commercial uses combined with the absence of any political will.

Māori

1981

This 1981 NFU film is a tour of the contemporary world of Aotearoa’s tangata whenua. It won headlines over claims that its portrayal of Māori had been sanitised for overseas viewers. Debate and a recut ensued. Writer Witi Ihimaera felt that mentions of contentious issues (Bastion Point, the land march) in his original script were ignored or elided in the final film, and withdrew from the project. He later told journalists that the controversy showed that educated members of minority groups were no longer prepared to let the majority interpret the minority view.