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Hedda Hopper's Hollywood No. 2

1941

Hedda Hopper plays hostess at a party for her (grown) son William (DeWolfe Jr.). Hopper, attends the dedication of the Motion Picture Relief Fund's country home and goes to the Mocambo. There is also a sequence dedicated to the Milwaukee, Wisconsin world premiere of the first short in this series attended by more that a few film stars.

2.0

Silencio

2020

Sound progression of two opposite landscapes.

0.0

When We Fight

2023

In the second largest school district in the United States, 98% of teachers vote to authorize a strike. Watch as one of the largest educator strikes in modern U.S. history unfolds in real-time, highlighting the stories and leadership of some of the women who led it, from union leaders to classroom teachers. From strike vote to contract vote, When We Fight goes behind the picket lines, documenting how and why teachers strike. "This powerful and beautifully crafted film is a must watch for anyone interested in the state of labor in America today." - Robert Reich, former Secretary of Labor and Professor of Public Policy, UC Berkeley

6.0

Twenty Years After

1944

This short celebrates the 20th anniversary of MGM. Segments are shown from several early hits, then from a number of 1944 releases.

8.2

Night and Fog

1959

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

0.0

Greek Community in Heidelberg

1976

The Greek guest workers -gästarbeiter- in the industrially developed central and northern Europe in the mid 70s.

0.0

At Tourkovounia

1982

Greek internal migrants in Athens, after the Greek Civil War colonize the tops of the Tourkovounia hills.

0.0

At Colonus

1983

The history of the ancient neighborhood of Colonus in Athens, by a novelist and script writer who lives in modern-day Kolonos.

5.0

Del mero corazón

1979

A lyrical journey through the heart of Chicano culture as reflected in the love songs of the Tex-Mex Norteña music tradition. Performers include, Little Joe & La Familia, Leo Garza, Chavela Ortiz, Andres Berlanga, Ricardo Mejia, Conjunto Tamaulipas, Chavela y Brown Express and more.

7.1

The Arrival of a Train at La Ciotat

1896

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

0.0

FIFA: A Love Letter to Rwanda

2023

Supermodel Adriana Lima presents a behind-the-scenes look at the FIFA congress in the Rwandan capital of Kigali in March 2023, which made Kigali the first-ever host city of a FIFA elective congress in Africa.

6.4

The Colour of His Hair

2017

Based on an unrealized film script written in 1964 for The Homosexual Law Reform Society, a British organisation that campaigned for the decriminalization of homosexual relations between men, "The Colour Of His Hair" merges drama and documentary into a meditation on queer life before and after the partial legalization of homosexuality in 1967.

7.5

Brasilia, Contradictions of a New City

1968

In 1967, de Andrade was invited by the Italian company Olivetti to produce a documentary on the new Brazilian capital city of Brasília. Constructed during the latter half of the 1950s and founded in 1960, the city was part of an effort to populate Brazil’s vast interior region and was to be the embodiment of democratic urban planning, free from the class divisions and inequalities that characterize so many metropolises. Unsurprisingly, Brasília, Contradições de uma Cidade Nova (Brasília, Contradictions of a New City, 1968) revealed Brasília to be utopic only for the wealthy, replicating the same social problems present in every Brazilian city. (Senses of Cinema)

4.0

Color-Blind

2019

A synaesthetic portrait made between French Polynesia and Brittany, Color-blind follows the restless ghost of Gauguin in excavating the colonial legacy of a post-postcolonial present.

6.7

Lorena: Light-Footed Woman

2019

A young woman of the Tarahumara, well-known for their extraordinary long distance running abilities, wins ultramarathons seemingly out of nowhere despite running in sandals.

7.1

The Short Films of David Lynch

2002

This collection of David Lynch's short films covers the first 29 years of his career. Four of his earliest underground films—Six Figures Getting Sick (1966), The Alphabet (1968), The Grandmother (1970) and The Amputee (1974)—are showcased, as well as two works from further into his career—The Cowboy and the Frenchman (1988) and Premonitions Following an Evil Deed (1995)—which were originally released as segments of anthology projects. Each film is given a special introduction by the director.

0.0

Stunned, I Remain Alert

2020

Journalist Dermi Azevedo has never stopped fighting for human rights and now, three decades after the end of the military dictatorship in Brazil, he's witnessing the return of those same practices.

5.2

Carmencita

1894

The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.

6.0

Galicia

1936

Short documentary about social and economic situation in Galicia (Spain) in 1936

6.3

Roundhay Garden Scene

1888

The earliest surviving celluloid film, and believed to be the second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), possibly on 14 October 1888. The film shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley (Le Prince's mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. The Roundhay Garden Scene was recorded at 12 frames per second and runs for 2.11 seconds.

Genre	Documentary
Production Companies	Total Refusal
Production Ccountries	Austria

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