Charley's Aunt

Figaros Hochzeit

1949

Shortly after WWII, the DEFA Studios produced a series of operas and operettas which belonged to the classical German musical heritage. This enchanting film, the very first opera production of DEFA, stands out because of its lavish decor and costumes, its outstanding actors and their masterful voices of that time.

Alfalfa's Aunt

1939

Alfalfa's weird aunt Penelope pays a visit. She's working on a murder mystery novel, but Alfalfa thinks she's trying to murder him. It's up to the Spanky and the gang to save him.

An Engagement of Convenience

1914

A man fakes an engagement to a typist to please his rich aunt.

City Lights

1931

A tramp falls in love with a beautiful blind flower girl. His on-and-off friendship with a wealthy man allows him to be the girl's benefactor and suitor.

The Song of Night

1932

He was known as Anatole Litvak during his Hollywood directorial career, but he was still Anatole Litwak when he helmed the German musical Das Lied Einer Nacht (The Song of Night). Famed Polish tenor Jan Kiepura stars as famed Italian tenor Ferraro. Escaping from his tyrannical manager, Ferraro switches identities with a young tourist (Fritz Schulz) and goes off on an unscheduled Swiss holiday. Still travelling incognito, our hero falls in love with a winsome mountain girl (Magda Schneider). Alas, both his romance -- and his freedom -- are placed in jeopardy when it turns out that the charming young fellow with whom Ferraro traded identities was actually a notorious swindler. Anatole Litvak also directed the English-language version of Das Lied Einer Nacht, Be Mine Tonight

Janika

1949

Die Fledermaus

1946

Theater director Falke, dressed as a bat, ends up in prison after a merry carnival night. Director Frank only releases him after some time. Falke decides to take revenge on his friend Gabriel von Eisenstein, to whom he owes the whole affair. The annual masked ball at Prince Orlofsky's provides the opportunity. Falke stages a game of mistaken identity in which Eisenstein does not recognize his own wife and courts her, while maid Adele appears as the countess. Eisenstein is duped, Falke has taken his revenge.

Charley's Aunt

1956

Otto Dernburg is forced by circumstances to dress up as a middle-aged woman.

Charley's Aunt

1959

Charles and Peter have passed their law degree and are looking forward to wooing a few girls in the country. For that, they need a chaperone and persuade their fellow student Ditlev to play Charles's aunt from Brazil. Ditlev has a talent for acting and takes the role very seriously, but when Charles's real aunt turns up, things get complicated.

Charley's Aunt

1934

Charley Wyckham and Jack Chesney pressure fellow student Fancourt Babberly to pose as Charley's Brazilian Aunt Donna Lucia. Their purpose is to have a chaperone for their amorous visits with Amy and Kitty, niece and ward of crusty Stephen Spettigue. Complications begin when Fancourt, in drag, becomes the love object of old Spettigue and Sir Francis Chesney.

Charleys Tante

1996

Investment advisor Stefan Lohmann has defrauded master butcher Waldemar Pückler of five million euros. He therefore wants to travel to Munich to meet the 'cattle baroness' Lucia d'Alvarez and do business with her. Lohmann also travels to Munich to go into hiding. He meets Lucia and falls in love with her, but then has a momentous encounter with his victim.

The Beggar Student

1936

To take a revenge on countess Laura, who slapped him at his proposal, the Governor of the occupied Poland gets her fall in love with a poor student, and exposes him during wedding banquet.

Paper Moon

1973

A bible salesman finds himself saddled with a young girl who may or may not be his daughter, and the two forge an unlikely partnership as a money-making con team in Depression-era Kansas.

The Awful Truth

1937

Unfounded suspicions lead a married couple to begin divorce proceedings, whereupon they start undermining each other's attempts to find new romance.

On Borrowed Time

1939

Young Pud is orphaned and left in the care of his aged grandparents. The boy and his grandfather are inseparable. Gramps is concerned for Pud's future and wary of a scheming relative who seeks custody of the child. One day Mr. Brink, an agent of Death, arrives to take Gramps "to the land where the woodbine twineth." Through a bit of trickery, Gramps confines Mr. Brink, and thus Death, to the branches of a large apple tree, giving Gramps extra time to resolve issues about Pud's future.