Thriving with Cerebral Palsy: The Cordell Brown Story

Fajr

2019

In the Moroccan desert night dilutes forms and silence slides through sand. Dawn starts then to draw silhouettes of dunes while motionless figures punctuate landscape. From night´s abstraction, light returns its dimension to space and their volume to bodies. Stillness concentrates gaze and duration densify it. The adhan -muslim call to pray- sounds and immobility, that was condensing, begins to irradiate. And now the bodies are those which dissolves into the desert.

Night and Fog

1959

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

Land Without Bread

1933

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

Affirmations

1990

A look at what it's like to be gay and black in America.

Larisa

1980

Elem Klimov's documentary ode to his wife, director Larisa Shepitko, who was killed in an auto wreck.

The Spirit of the Tsilqot'in People is Hovering over the Supreme Court

2023

The Tŝilhqot’in Nation is represented by six communities in the stunningly beautiful interior of British Columbia. Surrounded by mountains and rivers, the Tŝilhqot’in People have cared for this territory for millennia. With increasing external pressures from natural-resource extraction companies, the communities mobilized in the early 21st century to assert their rightful title to their lands. Following a decision by the Supreme Court of British Columbia in 2007 that only partially acknowledged their claim, the Tŝilhqot’in Nation’s plight was heard in the Supreme Court of Canada. In a historic decision in 2014, the country’s highest court ruled what the Tŝilhqot’in have long asserted: that they alone have full title to their homelands.

Birdman

2015

A portrait of Robert, a troubled but poetic soul struggling with his purgatorial existence in a hackney scrapyard.

African Adventure: Safari in the Okavango

2007

The Unfinished Journey

1999

A short about American life and history produced for the millennium New Year's Eve celebration.

A Fan's Guide to Ms. Marvel

2022

A documentary short that gives you an exclusive look behind the groundbreaking original series, "Ms. Marvel", from its comic book origins to its development and production as Marvel Studios’ next hit series on Disney+. It features interviews with its award winning filmmaking team and the show’s captivating star, newcomer Iman Vellani.

Florence

1975

Florence is a contemplative study of light and shadows, textures and planes, that makes beautiful use of the tonal qualities of black and white film. (mubi.com)

What God Hath Wrought: Pastor Chuck Smith and the Jesus Revolution

2012

This historical documentary tells the story of Calvary Chapel and the Jesus Movement and traces its impact on Christianity including the birth of contemporary Christian music and worship as well as a more informal church atmosphere. Includes interviews with Chuck Smith, Franklin Graham, Tim LaHaye, and many others.

Modern Football

1951

Robert Altman's first film was this 26-minute short, which has a football coach explaining how to play the sport. This is basically an educational short where the viewer learns about the various rules of the sport as the narrator explains them while we see reenactments.

Workers Leaving the Lumière Factory

1895

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Scum Manifesto

1976

Delphine Seyrig reads passages from a Valerie Solanas’s SCUM manifesto.