Ples v opeře

Bride of the Regiment

1930

As they are leaving the church following their wedding, Count Adrian Beltrami and Countess Anna-Marie are told that the Austrians are marching on the town to quell an Italian uprising. The bride and relatives induce the count to flee to his castle, but Tangy, a silhouette cutter, brings word from the revolutionary committee asking him to return; the count goes, asking Tangy to pose as the count and protect Anna-Marie.

Song of the West

1930

Captain Stanton, who because of a misunderstanding over a woman with Major Davolo, has been cited for a court martial. As a scout, he is sent to escort a wagon train which is under military escort. It turns out that this escort is his own former regiment. When he meet Davolo, there is another fight and between Stanton and Davolo in which Davolo is killed.

Where the Lark Sings

1936

Country girl Margit sits for the artist Sándor, from Budapest. She is fascinated and charmed by him, and agrees to accompany him to the capital, so he can complete the painting there. Disillusionment sets in, however, when Sándor wins a prize with the finished portrait and loses interest in her. Margit recognizes that her true happiness lies at home, with Pista, her faithful lover.

Der Vetter aus Dingsda

1953

Offenbach: Barbe-Bleue

2019

Bluebeard, an opéra bouffe by Jacques Offenbach, premiered in Paris in 1866. Directed by Laurent Pelly, the National Opera in Lyon stages this musical comedy about a man suspected of murdering his wives. Hortense Schneider originally played Boulotka, a village girl who reforms Bluebeard. Yann Beuron and Héloise Mas star, with Christophe Gay as the alchemist Popolani.

The Desert Song

1929

French General Birabeau has been sent to Morocco to root out and destroy the Riffs, a band of Arab rebels, who threaten the safety of the French outpost in the Moroccan desert. Their dashing, daredevil leader is the mysterious "Red Shadow". Margot Bonvalet, a lovely, sassy French girl, is soon to be married at the fort to Birabeau's right-hand man, Captain Fontaine. Birabeau's son Pierre, in reality the Red Shadow, loves Margot, but pretends to be a milksop to preserve his secret identity. Margot tells Pierre that she secretly yearns to be swept into the arms of some bold, dashing sheik, perhaps even the Red Shadow himself. Pierre, as the Red Shadow, kidnaps Margot and declares his love for her.

Bluebeard

1984

When Barbe-bleue loses his fifth wife, the turbulent Boulotte is selected at random to be the next one. But Barbe-Bleue falls in love with Hermia – who loves the shepherd Saphir – and soon wearies of Boulotte. So, he asks his alchemist to concoct for him an “anti-wife” philtre. But, as on the previous occasions, it is merely a sleeping potion and Boulotte wakes up the other five “dead” wives. They reappear, dressed up as gypsies and bring the truth to light.

Der Zarewitsch

1973

Lehar romantic operetta set in Russia about a beautiful dancer who is set up to attract a tsar's son, and they fall in love. Beautiful settings and wonderful music.

The Land of Smiles

1974

Lehar's The Land of Smiles touches the heart as it provides unforgetable melodies from start to finish. There are no weak links in the cast. Too often, we think of operetta as musical fluff, tired cliches, and obligatory dance scenes when things start slowing down. Not so in this classic operetta. We feel the pain of loss suffered by the two main characters, who make their roles natural and believable. There is more to this work than "Yours Is My Heart Alone." There is dramatic consistency and people you find yourself caring about as much as the music, the costumes, and the colorful sets.

Die Fledermaus

1972

Witty, fun, intoxicating film of Johann Strauss II's popular operetta, based on a stage production from Vienna State Opera; this is a showcase for the entire cast, but most especially Eberhard Wächter as the insufferably boorish Gabriel Eisenstein, and Gundula Janowitz as his long-suffering wife. Open the champagne, have yourself some torte, and enjoy this delectable comedy from Vienna.

The Merry Widow

2001

Lotfi Mansouri's spectacular last production as General Director of The San Francisco Opera with Yvonne Kenny making her debut in the title role, new dialogue specially commissioned from Pulitzer Prize-winning playwright, Wendy Wasserstein and an original ballet to set the scene ‘Chez Maxime’ bringing fresh insight into Lehár's classic operetta. This production also features another world premiere, Njegus's song, ‘Quite Parisian’.

Giuditta

2003

Austrian composer Franz Léhar's opera Giuditta receives a unique interpretation by the Seefestspiele Mörbisch in this stage production, which stars Natalia Ushakova and Mehrzad Montazeri as the principal leads. The Morbisch Festival Orchestra accompanies the production, while the Chorus and Ballet of the Seefestpiele Mörbisch lend added support.

Wind of Freedom

1961

Based on the operetta of the same name by Isaak Dunayevsky. The port town of one of the small southern countries. After the Nazi occupiers left, the port's berths were empty, the steamers did not smoke, cargo cranes stood. Fearing retaliation for collaborating with enemies, port owner Georg Stan fled the city. After waiting a while and securing the support of local authorities, Stan nonetheless returns - and loading operations begin in the port. While loading oranges, the sailor Yango and the beautiful Stella are preparing for the wedding. Suddenly, Stan makes a proposal to the girl and tricks her into agreeing. Upon learning of the deception, the girl runs away to Yango. Having discovered weapons intended to support fascism in the drawer of the hold, the heroes do everything possible to make the boxes fall to the bottom of the sea.

Vinobraní

1972

Orpheus in the Underworld

1974

This musical comedy based on an opera by Jacques Offenbach incorporates a twist on the classic Greek myth: Orpheus, a music teacher at a girls’ school in the ancient Greek city of Thebes, actually does not miss his wife Eurydice that much – until the gods and Offenbach himself pressure him to retrieve her from Hades.